Synthetic dark brown bristles, cat’s tongue shape, suitable for acrylic and oil.
Artistic artificial charcoals burnt in the lead shape of diameter 5.6 mm, intended for mechanical pencils or in the form of square 7x7x75mm. Suitable for black and white artistic drawing that needs to be stabilized by a suitable fixing agent after the work is finished.
Kolibri Series 88 Watercolour Brush – Perfection in Every Stroke Discover the ultimate tool for watercolour artists. Made with the finest golden sable hair, the Kolibri Series 88 brush offers exceptional control, precision, and comfort. Ideal for both professionals and aspiring painters.
Brushes serie 888 are made of synthetic hair, they are suitable for detail painting
Natural artistic charcoals in the form of round twisted stud. They are very brittle. Suitable for black and white artistic drawing that needs to be stabilized by a suitable fixing agent after the work is finished.
Natural artistic charcoals in the form of round twisted stud. They are very brittle. Suitable for black and white artistic drawing that needs to be stabilized by a suitable fixing agent after the work is finished.
Boards with clips serve as a cheaper alternative to the drawing board.
Flat brushes, pure red sable hair, suitable for watercolor
Rectified spirit of turpentine is widely used substance in oil painting. It is also suitable for direct dilution of colours, varnishes and diluents (but NOT fixatives) introduced here.
Cobalt siccative is the best siccative we can produce for artistic painting, and is highly concentrated because it contains 1,5% of cobalt. For faster drying, this siccative is added at the quantity of 5 ccm per 1 kg of pure linseed oil. Thus, contents of the bottle (50 ccm) suffices for 10 kg of linseed oil. When used ordinarily it is added by drops. A greater addition makes no benefit, however harms in such a way that the upper coat dries very fast, and hence forms a solid film and the paint dries into depth with diffulties.
Damar varnish is special in-house produced varnish for paintings which dries faster than the best mastic varnish, and does not go blind and provides very good results. The varnish is easy to take off with rect. spirit of turpentine 3221, without any worries for the underlaid layer of the painting.
Medium I is specifical prepared, non-yellowing grease thinner. It replaces and even overcomes the use of linseed oil. It is recommended for glazing.
Medium II is grease, fast drying thinner, without addition of siccative. It is used in prime painting, in sequential painting in lower and intermediate layers. It prevents occurence of retained spots in the painting.
