Brushes for decorative painting and watercolor, pure sable hair
Brushes serie 888 are made of synthetic hair, they are suitable for detail painting
Natural artistic charcoals in the form of round twisted stud. They are very brittle. Suitable for black and white artistic drawing that needs to be stabilized by a suitable fixing agent after the work is finished.
Natural artistic charcoals in the form of round twisted stud. They are very brittle. Suitable for black and white artistic drawing that needs to be stabilized by a suitable fixing agent after the work is finished.
Boards with clips serve as a cheaper alternative to the drawing board.
Flat brushes, pure red sable hair, suitable for watercolor
Rectified spirit of turpentine is widely used substance in oil painting. It is also suitable for direct dilution of colours, varnishes and diluents (but NOT fixatives) introduced here.
Cobalt siccative is the best siccative we can produce for artistic painting, and is highly concentrated because it contains 1,5% of cobalt. For faster drying, this siccative is added at the quantity of 5 ccm per 1 kg of pure linseed oil. Thus, contents of the bottle (50 ccm) suffices for 10 kg of linseed oil. When used ordinarily it is added by drops. A greater addition makes no benefit, however harms in such a way that the upper coat dries very fast, and hence forms a solid film and the paint dries into depth with diffulties.
Damar varnish is special in-house produced varnish for paintings which dries faster than the best mastic varnish, and does not go blind and provides very good results. The varnish is easy to take off with rect. spirit of turpentine 3221, without any worries for the underlaid layer of the painting.
Medium I is specifical prepared, non-yellowing grease thinner. It replaces and even overcomes the use of linseed oil. It is recommended for glazing.
Medium II is grease, fast drying thinner, without addition of siccative. It is used in prime painting, in sequential painting in lower and intermediate layers. It prevents occurence of retained spots in the painting.
Best winter tail Kolinsky hair, suitable for watercolor.
Kerotix is wax varnish in the form of paste for oil painting and distemper, which preserves and protects the painting with a matted soft layer. It is spread with a pad (taft), or with the palm of the hand after painting. Then, the painting is exposed to a certain period of time to sun or moderate heat to allow Kerotix be soaked in the pores of the painting. With its preservation effect it best protects the painting against harmful vapours and gases. It can also be advantageously used as so called painter´s butter without darkening this, and is an essential aid for restoration painters where it is used for mounting a painting on new-cloth as a perfect protection of the back of the painting, etc.
