The Kolibri Series 930 flat brush is crafted from premium black cattle ear hair, offering excellent paint absorption, smooth strokes, and long-lasting durability. With its flat bristle shape, seamless nickel ferrule, and short wooden handle, it’s perfect for acrylic and oil artists seeking precision and control.
Double boiled white hog bristles, cat´s tongue shape, suitable for oil and acrylic.
Linseed oil is cold-pressed oil and it is the most-used greasy oil for master’s oil colours dilution.
The Kolibri Series 8405 is a round painting brush with dark brown synthetic bristles for acrylic and oil paints. Its firm yet elastic bristles provide good control for precise and expressive strokes.
The Kolibri Series 7409 is a flat painting brush with high-quality synthetic bristles for acrylic and oil paints. Its long lacquered handle provides a comfortable grip and good control while painting.
Premium Kolibri angled brush Series 1009 for oil and acrylic painting. Made with high-quality golden synthetic sable hairs for flexibility, precision, and long-lasting performance. Ideal for fine details, shading, and smooth color transitions. Long blue lacquered handle with silver ferrule for maximum comfort and control.
The Kolibri Series 1409 Cat’s Tongue Filbert Brush combines precision, flexibility, and professional quality. Made from durable synthetic dark brown bristles, it’s perfect for both acrylic and oil painting. Ideal for blending, detailing, and expressive brushwork, this versatile brush provides smooth, controlled strokes for every artist.
Achieve precise strokes and smooth colour transitions with the Kolibri Series 2111 flat angled brush. Made from premium white hog bristles with a long lacquered handle, it’s perfect for both oil and acrylic painting.
The Kolibri Flat Brush Series 900 is a top-tier tool for artists of all levels. Crafted with premium synthetic golden sable hair and an ergonomic short handle, it ensures smooth, controlled strokes for both oil and acrylic painting. A perfect choice for creating true masterpieces.
The Kolibri Fan Brush Series 1309 is a professional artist brush made with premium synthetic golden sable hair. Designed for both acrylic and oil painting, it delivers smooth blending, realistic textures, and detailed effects. The long, blue lacquered handle ensures comfort and precise control for every stroke.
The Kolibri Detail Brush Series 888 offers maximum precision and comfort with synthetic golden sable bristles and an ergonomic triangular handle. Suitable for acrylic, watercolour, oil, and tempera paints. The perfect tool for detailed painting and fine lines.
Rectified spirit of turpentine is widely used substance in oil painting. It is also suitable for direct dilution of colours, varnishes and diluents (but NOT fixatives) introduced here.
A fan-shaped brush „Synthetic brown Sable“ with elastic synthetic brown bristles, ideal for creating textures, gradients, and fine details like grass, hair, or feathers. The long brown lacquered wooden handle ensures comfort, while the durable nickel ferrule guarantees longevity. Perfect for both acrylic and oil painting techniques.
The Kolibri Flat Brush Series 904 features durable white synthetic bristles, making it a versatile, vegan-friendly brush suitable for both acrylic and oil paints. Featuring a flat shape, short lacquered wooden handle, and seamless tin ferrule, it offers precise strokes, excellent colour absorption, and long-lasting quality.
Cobalt siccative is the best siccative we can produce for artistic painting, and is highly concentrated because it contains 1,5% of cobalt. For faster drying, this siccative is added at the quantity of 5 ccm per 1 kg of pure linseed oil. Thus, contents of the bottle (50 ccm) suffices for 10 kg of linseed oil. When used ordinarily it is added by drops. A greater addition makes no benefit, however harms in such a way that the upper coat dries very fast, and hence forms a solid film and the paint dries into depth with diffulties.
Damar varnish is special in-house produced varnish for paintings which dries faster than the best mastic varnish, and does not go blind and provides very good results. The varnish is easy to take off with rect. spirit of turpentine 3221, without any worries for the underlaid layer of the painting.
